Composers Literary Indulgences? Epigraphs in György Kurtág’s Russian Works. Slavic & East European Journal (SEEJ), 62.1, Spring 2018.
It May Sound Scary: Gothic Underpinnings in George Crumb’s Madrigals. With Stephanie Saunders-Pandolfi de Rinaldis. GESJ: Musicology and Cultural Science 2017, No. 2 (16). Tbilisi, Georgia.
Interpreting folk humor and wisdom, Estonian style: Lepo Sumera's vocal cycle as a window to the language and tradition. Symposium on Singing and Song 2015 Proceedings. Memorial University of Newfoundland, Canada
Interpreting Kurtág and Crumb: through the looking glass. In Centre and periphery, roots and exile: Interpreting István Anhalt and György Kurtág, 2011, Waterloo, ON, Canada: Wilfrid Laurier University Press.
Stravinsky’s Pulcinella: A Facsimile of the Sources and Sketches. Edited by Maureen A. Carr, 2010; translation and transliteration by Dina Lentsner. Middleton, Wisconsin: A-R Editions, Inc.
Kurtág’s unknown Russian works, playfully. In Gestes, fragments, timbers: la musique de György Kurtág, 2008, Paris, France: L’Hartmann, 185-195.
The Russian Kurtág or How to adopt a language. 2007. In Mitteilungen der Paul Sacher Stiftung, No. 20, 38-42.